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Showing 1 - 9 of 9 matches in All Departments
Historical Archaeology demonstrates the potential of adopting a flexible, encompassing definition of historical archaeology which involves the study of all societies with documentary evidence. It encourages research that goes beyond the boundaries between prehistory and history. Ranging in subject matter from Roman Britain and Classical Greece, to colonial Africa, Brazil and the United States, the contributors present a much broader range of perspectives than is currently the trend.
The volume contributes to disrupt the old grand narrative of cultural contact and colonialism in Spanish and Portuguese America in a wide and complete sense. This edited volume aims at exploring contact archaeology in the modern era. Archaeology has been exploring the interaction of peoples and cultures from early times, but only in the last few decades have cultural contact and material world been recognized as crucial elements to understanding colonialism and the emergence of modernity. Modern colonialism studies pose questions in need of broader answers. This volume explores these answers in Spanish and Portuguese America, comprising present-day Latin America and formerly Spanish territories now part of the United States. The volume addresses studies of the particular features of Spanish-Portuguese colonialism, as well as the specificities of Iberian colonization, including hybridism, religious novelties, medieval and modern social features, all mixed in a variety of ways unique and so different from other areas, particularly the Anglo-Saxon colonial thrust. Cultural contact studies offer a particularly in-depth picture of the uniqueness of Latin America in terms of its cultural mixture. This volume particularly highlights local histories, revealing novelty, diversity, and creativity in the conformation of the new colonial realities, as well as presenting Latin America as a multicultural arena, with astonishing heterogeneity in thoughts, experiences, practices, and, material worlds.
The volume contributes to disrupt the old grand narrative of cultural contact and colonialism in Spanish and Portuguese America in a wide and complete sense. This edited volume aims at exploring contact archaeology in the modern era. Archaeology has been exploring the interaction of peoples and cultures from early times, but only in the last few decades have cultural contact and material world been recognized as crucial elements to understanding colonialism and the emergence of modernity. Modern colonialism studies pose questions in need of broader answers. This volume explores these answers in Spanish and Portuguese America, comprising present-day Latin America and formerly Spanish territories now part of the United States. The volume addresses studies of the particular features of Spanish-Portuguese colonialism, as well as the specificities of Iberian colonization, including hybridism, religious novelties, medieval and modern social features, all mixed in a variety of ways unique and so different from other areas, particularly the Anglo-Saxon colonial thrust. Cultural contact studies offer a particularly in-depth picture of the uniqueness of Latin America in terms of its cultural mixture. This volume particularly highlights local histories, revealing novelty, diversity, and creativity in the conformation of the new colonial realities, as well as presenting Latin America as a multicultural arena, with astonishing heterogeneity in thoughts, experiences, practices, and, material worlds.
A collection of essays which grapple with the idea of what ancient history is, and in particular how the discipline can advance in a world that is no longer as tied to the exclusively literary methods of study epitomised by Classics . Whilst some of the papers are purely theoretical, most are demonstrative of future directions by taking a multidisciplinary approach to a particular issue. Interestingly, given the aim of moving away from a eurocentric view of the ancient world, a significant number of the contributors are from Brazilian or other non-European universities.
Although amphorology is now a thriving subject the epigraphy of their inscriptions has been neglected. Funari provides an introductory discussion of epigraphy, a catalogue of stamps found in England with an economic analysis and chronological study. He also includes a large corpus of epigraphic material found in Britain - 260 instances of painted inscriptions, graffiti and stamps. Funari's thesis makes this useful class of evidence more available to non-specialist scholars.
This edited volume aims at exploring a most relevant but somewhat neglected subject in archaeological studies, especially within Latin America: maroons and runaway settlements. Scholarship on runaways is well established and prolific in ethnology, anthropology and history, but it is still in its infancy in archaeology. A small body of archaeological literature on maroons exists for other regions, but no single volume discusses the subject in depth, including diverse eras and geographical areas within Latin American contexts. Thus, a central aim of the volume is to gather together some of the most active, Latin American maroon archaeologists in a single volume. This volume will thus become an important reference book on the subject and will also foster further archaeology research on maroon settlements. The introduction and comments by senior scholars provide a wide-ranging and comprehensive analysis of runaway archaeology that will help to indicate the global importance of this research.
En este estudio sobre los usos del pasado, a partir del arte, erotismo y sensibilidad en el mundo romano, la cultura popular, representada por los grafitis hallados en las paredes de Pompeya, es objeto de reflexion por Pedro Paulo Funari, academico brasileno, docente e investigador en las areas de Historia Cultural, Arqueologia Historica e Historia Antigua. El autor nos presenta una forma de leer un pasado que, generalmente fue construido a partir del legado de unos pocos y que nos parece familiar, evidente. Esta exploracion de la cultura material y popular se presenta como un desafio para los diferentes tipos de lectores, quienes podran ver la complejidad y la diferencia, asi como las similitudes, entre su vision de mundo y las de de un pueblo cuya vida, debido a una tragedia natural de dimensiones miticas, quedo conservada para la posteridad.
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